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Back to Basics: A Series for Newer Members
Issue 3 -- December 1992


The murders of Edward of Lancaster and Henry VI | William Catesby and Richard Ratcliffe | Richard III's Appearance | The Monumental Brass Society | Back to Index

The 'Crimes of Richard III': The murders of Edward of Lancaster and Henry VI

The year 1471 was a vintage year for 'crimes', no less than two of them being attributed to this year. Both of them are of interest because we have more evidence about them than we usually have and can show how the stories developed over about a century from descriptions of what actually happened to what Holinshed and Shakespeare said happened.

The first of them chronologically is the death of Edward of Lancaster, only child of Henry VI and Margaret of Anjou, at Tewkesbury. There are many contemporary sources, two of them written very soon after the battle of Tewkesbury. The first, a letter written by the Duke of Clarence on 6 May, says that Edward was killed in the battle. The Arrivall of Edward IV, Yorkist in sympathy and written only a month or so afterwards says that Edward was killed in the flight after the battle. There are five other accounts written in 1471 or soon after which confirm these statements, reiterated by the Lancastrian Warkworth in about 1478. No serious historian now doubts that Edward was killed in the fighting.

The continental sources are a different matter, and very soon after the battle, by 1473, atrocity stories appear, describing how the young prince was murdered in front of Edward IV. These stories were taken up by the later English chroniclers, those writing after the death of Richard III, and embroidered with enthusiasm. The first to mention Richrd of Gloucester as taking part in the murder was Vergil, writing in about 1516. It is interesting to note that no one accuses Gloucester only of the murder, he is always associated with Clarence and Hastings and later with Thomas Grey, Marquess Dorset. This whole matter is discussed in detail in Apendix 2 of P.W. Hammond, The Battles of Barnet and Tewkesbury, 1990.

The second murder occurring in 1471 is that of Henry VI. This may well have been a murder, it is difficult to take seriously the claim in the Yorkist Arrivall that he died of pure displeasure and melancholy, and his death so soon after that of his son seems unlikely to have been a coincidence. It could have been so of course, as has been pointed out by W.J. White in his discussion in 'The Death and Burial of Henry VI, A Review of the Facts and Theories, Part I', in The Ricardian, vol. 6, [1982] pp.70-80. White shows also that the earliest sources noting the death of Henry do not name anyone as being personally responsible although the early continental writers assume that there was a murder and that Edward IV must have given the order for it. The first to name Gloucester as the murderer is probably the Frenchman Philippe de Commines writing about 1490 and the first English writer John Rous in his Historia de Regibus Anglie, written about the same time.

Following Rous the English writers embellish the story in much the same way as that of the death of Henry's son although without adding so much detail. Discussions of Gloucester's responsibility tend to centre on the date on which the death took place, since he was only in London from 21 May until the next day. Sir Clements Markham tried to show that Henry did not die until 24 May at least but this is certainly not so, and it seems most likely that Henry did die on the night of 21-22 May. Gloucester was undoubtedly in the Tower on that night, but then so was his brother Edward and a large number of other people. These dates are discussed by White and in Appendix 3 of Hammond Barnet and Tewkesbury. PWH


Finding out about people in the 15th century: 'The Cat and the Rat'

Continuing our series of fifteenth-century people we shall look at two men who are grouped with Lord Lovel in the famous rhyme by William Colyngbourne:

The Cat, the Rat and Lovel our Dog
Doe rule all England under a Hog

This demonstrates the fifteenth century fondness for identifying people by puns on their names or by using their heraldic crests or badges (Lovel's crest was a silver wolf-dog and of course the hog is a reference to Richard III's badge of the white boar). For a biography of Colyngbourne by Kenneth Hillier and a discussion of the rhyme and its second verse see three articles in The Ricardian, numbers 49, 50 and 51 (June, September and December 1975) respectively. If the general effect of the rhyme and reading Shakespeare's play leave you imagining Catesby, Ratcliffe and Lovel as Richard's gang of three henchmen then have another look at the true facts of history.

William Catesby came from a minor Northamptonshire family and was trained as a lawyer. By a combination of useful contacts, family connections and legal astuteness he acquired posts as legal adviser, steward or councillor to a number of noble families, including Lord Zouche, Lord Scrope of Bolton, Lord Hastings and the Duke of Buckingham. He was one of Edward IV's councillors and became a member of the council of Richard III, from whom he received many grants and a knighthood. He rose to be Speaker of the House of Commons in 1484. But as he rose by supporting the House of York, so he fell with them and was executed after the Battle of Bosworth on the 25th August 1485, in his will calling on 'My Lordis Stanley, Strange and all that blod, help and pray for my soule for ye have not for my body as I trusted you'. Luckily for us the details of Catesby's life and career have been fully described in two articles: 'William Catesby, Counsellor to Richard III' by J.S. Roskell (from the Bulletin of the John Rylands Library, Vol. 42, 1969) and 'The Hastily Drawn up Will of William Catesby, 25th August 1485' by Daniel Williams - which despite the title contains a good deal of information on his successful legal and political career (from Leicestershire Archaeological and Historical Society Transactions, Vol. 51, 1975-6).

Sir Richard Ratcliffe, or Radcliffe, also from a minor county family, did well being the right man in the right place. He was knighted at Tewkesbury and by the mid-1470s he was Constable of Barnard Castle and a member of Richard's council at Middleham. He married Agnes, daughter of Lord Scrope of Bolton. He served in the campaigns against the Scots and rose high in Richard's favour, receiving many grants and official posts. He was killed with his king at Bosworth.

In contrast to the case of Catesby we have no detailed articles on Ratcliffe so here we have a good example of a man whose career can be reconstructed using a number of sources. Brief biographies can be found in basic sources such as the Dictionary of National Biography and the bibliographical section in The Coronation of Richard III: the extant documents by Anne F. Sutton and P.W. Hammond, 1983. A list of the grants and offices he received can be compiled from such sources as the Calendars of the Patent Rolls and the British Library Harleian Manuscript 433. Books such as Richard III: a study in service by Dr. Rosemary Horrox, 1989 and Northeastern England during the Wars of the Roses: lay society, war and politics 1450-1500 by Dr. A.J. Pollard, 1990, will supply further details of his associates and the circles he moved in and set his career in the context of contemporary history. If his will survived it might have afforded us a glimpse of his personality but so far as I know it has not.

All the books and articles on Catesby and Ratcliffe mentioned above (with the exception of the Dictionary of National Biography which should be in all good reference libraries) are available for borrowing from the Society's Library. CH


Richard III's Appearance

Much ink has been spilt and many efforts have been made to describe the appearance of Richard of Gloucester. Very little is really known about this aspect of his personality and what there is tends to be contradictory, as usual. Following the article '"Richard Liveth Yet": An Old Myth' (The Ricardian, vol. 9, 1992, pp. 266-269) by Anne Sutton and Livia Visser-Fuchs we do not need to spend any time on wondering if Richard was a sickly child and thus perhaps not a strong man but this certainly does not help a great deal.

What can be said first is that he was certainly not a limping hunchback with a withered arm. The portraits we have of him are not contemporary but the earliest of them, that owned by the Society of Antiquaries, and dating from about 1513 shows no sign of any deformity, it depicts a perfectly normal looking man. Later copies sometimes show a deformed shoulder but this tells us more about Tudor propaganda than about Richard's appearance. Most contemporaries who mention his appearance (the Crowland Chronicler, Mancini and Commines for example) agree that he was not deformed. Rous, who must have seen him, says that the right shoulder was higher than the other, More, who must have spoken to people who had seen Richard (Cardinal Morton for example) says that the left shoulder was higher than the other. Polydore Vergil agrees that one shoulder was higher than the other but does not say which. From this we may assume that any deformity was not very noticeable.

Several of the descriptions state that Richard was a short man. The only source contradicting this is the remark by Nicolas von Poppelau that Richard was 'three fingers taller' than himself. Von Poppelau was apparently a man of great strength and has thus been assumed to be tall, from which Richard must have been very tall, but strength is not necessarily allied to height. The references and sources for the appearance of Richard of Gloucester are all collected together in the Richard III Society Speaker's Notes which may be borrowed from the Society Library or bought from the Sales Officer. PWH


Organisations of interest to members

The Monumental Brass Society

The flat engraved plates of 'brass' to be found in our churches and cathedrals and dedicated to the memory of the dead have held a fascination for antiquarians, scholars and enthusiasts for many years. A Society for these was first established in Cambridge in 1887 and called the 'Cambridge University Association of Brass Collectors', which must have struck terror in whose incumbents who feared for their precious brasses. The name was changed in 1894 to the present 'The Monumental Brass Society'.

The Society now has a membership of more than 600 and its aims are very much the same as they always have been: the preservation, recording and appreciation of brasses. Brasses are a tremendous sources of information in many areas of research. They are now studied in context rather than in isolation (as they were in the past) and advice regarding brasses in their care is given to the clergy. Grants are also made towards their conservation and maintenance. In recording brasses notice is now taken of all, not only ones of particular interest, as well as indents of lost brasses, in this country and also abroad.

To help in this work the Society is engaged in continuously updating the standard List of Monumental Brasses in the British Isles by Mill Stephenson. It has also recently embarked on a project of publishing an annual series of county volumes. The Fully Illustrated Guide to Monumental Brasses of Bedfordshire is the first of the series, published this year. Also in preparation is a general definitve work on brasses to which members expert in their particular field have contributed.

Members enjoy the opportunity to attend three General Meetings each year, as well as the Annual General Meeting, excusion and conference every year. As a part of their annual subscription they receive a copy of the Transactions, which contains scholarly articles on all aspects of brasses, and three issues of the Bulletin, containing more general information and notices. The Society has an extensive Library and a collection of brass rubbings constantly being revised and added to. To join the Society write to 'Monumental Brass Society', c/o Society of Antiquaries of London, Burlington House, Piccadilly, London, W1V 0HS. WH

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